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Category: Photography
Equipment, examples, history – all matters photographic
A mystery
In my mail this morning, I found a roll of Fuji Velvia 100, a voucher for processing, and an invoice for about eleven quid. It’s all from a place called 7dayshop.com, in Guernsey. From the slip, it’s unclear whether the invoice is a bill that demands payment or simply a receipt for payment made.
I am as sure as sure can be that I didn’t order any such thing. I have stopped shooting film entirely in the UK and, if I were to start, I would almost certainly use T-Max or HD400. It seems at least possible that someone sent this as a gift. If so, please let me know before I call them curiously and accuse them of sending unsolicited transparency film. Likewise, if so, thanks for sending me such an excellent variety of film.
Thanks for your help.
[Update: 4:04pm] The mystery is solved; see comments.
My history with light and lenses
Over the last few days, I went through all 6000 or so original photos that I have copied to my laptop over the years. The vast majority were either taken in Oxford or in Vancouver, in the days leading up to my departure. There are also some travel photos – notably from my European trip in 2004 – and various sets of images scanned from rolls of film. I have very few photos from the period prior to what might be termed the middle of the Meghan era. Even going back that far fills me with conviction that I’ve lived a pretty interesting life; enough so that whole swaths of it can be forgotten entirely and come back like a CD you listened to a hundred times years ago, but never since.
While the quality of the photos has been improving, the subject matter and general characteristics of composition seem to be quite consistent. If anything, photos taken since I got a digital camera have been a bit more experimental upon occasion. There are also more shots of kinds that I prefer to have on a hard drive somewhere than on a website: not explicit, but simply not attempts at art or documentation for public consumption. I want what I put online to be attractive in a fairly conventional sense: with lines that guide the eye, proper exposure, and people looking good.
I really wish I had scanned some photos or negatives from my earliest period of real photography: after I got a manual Pentax SLR in tenth grade and started to do my own developing and printing. Much of it was quite technically imperfect, but it was nonetheless quite an exciting introduction into an empowering new medium. I particularly liked some of the shots generated over the course of a long string of trips to Victoria to visit Kate. Opening the huge plastic box with my old photo stuff in it, when next I am moving the bulk of my physical stuff in Vancouver, will probably involve a far more profound variant of the feeling of unfamiliar familiarity described above.
As with writing, I often feel somewhat entrapped within my own photographic style. I want to do something radically different, but attempts to do so are rarely good enough to warrant any public display – the ultimate objective of the greater part of everything I do. I can’t just turn around, like Orson Scott Card did, and write a cyberpunk short story that is any good.
Like with almost everything I do, I am almost always really pleased to get any kind of substantive response to photography I’ve done: regardless of how critical or positive it is. I am putting these things out there to be engaged with, to alter the ways that people think about me, themselves, and the world. If I am managing to do so, please tell me. If there is a way I could do better, I would be even happier to hear it.
PS. The gateway to almost all the photography I have online is here.
PPS. Given the annoyance of my increasingly fungus-covered digital camera sensor, donations to my photo gear fund are extremely welcome.
Pitt Rivers Redux
At the Natural History and Pitt Rivers, there was a kind of luminous open house tonight – with less frantic versions of the kind of lights used at dances, as well as shadow theatre with extensive musical accompaniment and torchlit wandering sessions through the Pitt Rivers collection. Many thanks to Antonia for the invitation and accompaniment.
The large number of people present marked this out as quite a successful event. It definitely changed the way in which you experienced the place, and the items therein. Also entertaining was the 1918 version of the film 20,000 Leagues Under the Sea they were screening. It’s odd how it is so accurate in some regards, and so laughably wrong in others.
PS. Walking home through Oxford at midnight on a Saturday in the spring is not recommended for those who are single and unhappy about it.
Second summer day
With Kai at a party in London and Alex in Vienna for the marathon, this is my first night alone in the Church Walk flat. It follows a day that was excellent in many ways. The weather had the same brightness and warmth of yesterday, and it was accompanied nicely by the Feist CD that Jonathan recommended to me, called “Let it Die.” A few weeks will be necessary to really comprehend the style, but I could tell immediately that I like it. Already, the CD strikes me as unusually versatile – with a style that’s hard to pin down. The tone is similarly liable to shift dramatically between songs: from playful to forlorn. I rather like the song in French.
After meeting with Dr. Hurrell and reading in the Wadham MCR for a few hours, I spent the evening walking and conversing with Roz. At one point, we got excellent veggie burgers from a place on Walton Street called Peppers. The smell and clientele reminded me of the Jamaican place across the street from the hostel in Manhattan where I stayed in the days after the blackout in 2003. Their burgers are both very filling and surprisingly tasty, for a vegetarian product in the UK. Given that it’s just a few blocks away and is open late, it risks becoming the Pita Pit of this place of residence (a reference that anyone from UBC should understand).
Earlier, Rosalind and I wandered through Trinity College, which I had previously seen only from the outside, and the Wadham gardens. They have begun to change dramatically, with the coming of sun and longer days. For someone who arrived in Oxford in late September, it’s still something of a surprise to see groups of trees with leaves on them. I am looking forward to a summer of working, cycling, and researching here.
Migration news: geeky stuff
The migration from Blogger to WordPress is going well. I have the colours and formatting on the new blog more or less where I want them. I already much prefer the commenting and management system of WordPress. I just need to come up with a sharp new banner and tweak a few small things. Then, I will shift the WordPress version to the front page. I think I can do so without breaking the links to the old Blogger posts: at least until Google indexes them on the basis of their new permalinks.
Now that I am getting used to it a bit, I prefer the cleaner lines and overall layout of the new blog, as well as the greater versatility of the content management system.
- Between the 20th and 24th of June, the Oxford Playhouse is staging Paradise Lost. I shall make a point of going. Roz says that she is also keen to come, if she hasn’t headed off to Rome for the summer by that point.
- Tomorrow afternoon is the first OUSSG executive meeting, meant to sort out what to do about the dinners this term. It will be good to finally meet the rest of both the new and old executive in a context meant for planning.
- I got a quartet of very diverse fictional books from a free box in Nuffield that Margaret directed me towards, when I was waiting for my supervision. I’ll have a look through them in the summer.
Malta photos, from film!
Along with some much appreciated Easter chocolates, the scans and negatives from the Malta trip arrived from my mother today. My thanks to her for all of them. Based on a very rapid survey, I picked out my seventeen favourites and added them to the Photo.net album. I will give them all a closer look after the QT.
A photographer’s self-portrait is included. All told, this one is my favourite; it was worth soaking my feet for. The square block you can see in the distance on the left is the castle on Comino that served as the Chateau d’If for the new Count of Monte Cristo film.
Technical details
The black and white shots were all taken on Kodak T-Max 400 film. The colour is Kodak HD400. It doesn’t surprise me at all that I generally prefer the black and white photos to the colour ones. All were taken using a Canon Elan 7N body, and a Canon 28-105mm f/3.5-4.5 USM II lens. Collectively, the gear these shots were taken on is worth about six times as much as my A510. Are they six times better? I would say not. If you care to compare, all the photos in this presentation were taken using my Canon Powershot A510 consumer-level digital camera.
Not having to worry about fungus to edit out of images is awfully nice, though I forgot how visible the vignetting can be when I use my circular polarizer at 28mm. Scans from Lens and Shutter also require markedly less sharpening than shots from my A510. I may well come back and give some of these more thoughtful editing, after the QT. Some of the B&W shots could definitely use some playing around with contrast.
As always, full sized image files are available upon request. Comments are always appreciated.
Malta Trip Photos: Final Installment of Digital Camera Shots
Regrettably, there will probably be some duplication once the film gets developed and scanned. Even so, I thought these were worth putting up.
Harbours, boats, and clear seas
Interesting rock formations
Limestone farmhouse
Fisherman’s chapel
Field of flowers
My mother certainly has a disapproving look here, probably because of how much the wide angle effect increases the apparent size of the bottle.
Malta Trip Photos: Second Installment
I will keep posting photos here that are not quite arty enough to be part of the Photo.net album, but which have some documentary value that compensates. As a bonus, all photos on the blog are included at 1024×768 resolution, while those on Photo.net are a maximum of 800×600. People wanting the full 2048×1536 jpeg files my camera produces can request them by email or comment.
Valletta’s status as a frequently invaded city is demonstrated by the elaborate fortifications that have been constructed around the harbour.
An important trans-shipment point between the countries circling the Mediterranean, Malta has extensive ship building and material transfer capabilities, both in Valletta Harbour and on the south side of the island near the main power plant.
The interior of St. John’s Co-Cathedral is both elaborate and unusual. The church is rectangular, with alcoves along the edges and a semi-cylindrical roof. Also, can anyone – perhaps Tony – enlighten me as to the meaning of a ‘co’ cathedral?
The emergence of skeletonized dead from tombs is an exceptionally common motif on the panels that make up the cathedral floor, each of which seems to be a grave marker.
My mother under an archway in central Valletta.
Malta Trip Photos: First Installment
In some order determined by my patience and level of distraction by other ongoing concerns, I will be posting a collection of photos from the Malta trip here, as well as on my Photo.net page. Keep checking back for updates, if you’re interested.
The architecture in Malta frequently reflects its 98% Catholic population.
This shot was snapped between two chained and angry dogs, during our first hike.
Surprisingly elaborate steps down to a Maltese beach.
You can identify a traditional Maltese fishing boat by the Eyes of Horus near the bow, as well as a distinctive colour scheme.
Much of Malta seems to be either in repair or under construction.
Malta introduction
My mother and I have now passed an enjoyable day in Malta. We arrived yesterday evening and met with the group of mostly retirees with whom we will be walking over the course of the week. The first walk was today and, while it was not strenuous, it was nonetheless more challenging than I had expected. We got a couple of quite stunning hilltop views of this part of the island, as well as St. Paul’s Bay. Malta has the overall look of a Mediterranean country, with rough stone walls separating terraces and rows of somewhat parched hills extending down into bays. I expect that it will be a pleasant place to spend a week.
The group doing the harder hike seems to be largely composed of retired scientists and engineers. As such, I spent a good deal of the nine hours of the expedition talking about either engineering or photography. Everything from point and shoot consumer digital cameras to relatively ancient screw-mount Pentax SLRs were represented on the hike. Between the six or so avid photographers, these walks promise to be well documented. Personally, I used both my A510 for more documentary shots and my Elan 7N for the photos that I hope will prove artistic. Examples of both will doubtless find their way online. The vistas are quite nice and the architecture reminds me of Latin America: primarily because of the pastel colours and rectilinear forms.
The climate here is cooler than I expected, but certainly very sunny. After a few straight hours of walking in the sun, my brain felt positively cooked. I will probably need to regulate the temperature with some Maltese lager before I turn to my qualifying test notes. Surprisingly, the main local brew tastes a great deal like Sleeman’s Cream Ale, from back in Canada.
On one of today’s hilltops, we stopped to watch people arriving at a wedding reception. Between the appearance of the building – which declared itself to be a ducal villa – the stream of shiny black Mercedes automobiles, and the security men in suits around the perimeter, the whole affair had quite a godfather feel to it. Aside from some ludicrously dressed trumpeters, who looked as though they came from a bad imitation medieval restaurant in Tallinn, it certainly seemed a very classy affair. My pity goes out to all the foxes that died to adorn the necks of women standing in the hot sun.
With out buffet dinner starting in a few minutes, I should probably turn to academically related emails. Unfortunately, the computer in the hotel is too crippled in its functionality to be used to post images to the blog. That’s a bit surprising, since the place is far more upscale than the kind of accommodation I am accustomed to while travelling. My mother and I, for instance, have a better kitchen than the one in Library Court right in our room, as well as quite a nice view of the bay and the church on the next hill from our balcony.