Review: Canon BG-E6 Battery Grip

I have been using the Canon 5D Mark II for about a month now, and decided to take advantage of lower American prices for photo accessories and pick up the vertical grip when I was in the US recently.

Why use a vertical grip?

There are two major reasons for doing so: battery management, and changing the physical character of the camera.

Battery management

With the BG-E6, you can operate the 5D Mk II with two rechargeable batteries. It seems to alternate between drawing power from one and the other, keeping both at a similar level of charge. I have found that the 5D Mk II goes through its battery much more quickly than my Rebel XS did, especially if you have the LCD screen all the time. Even a single day of intensive shooting risks depleting a single battery, making a backup rather useful for day-to-day use, and pretty essential for travel. Of course, you can buy three batteries or so for the cost of the grip, which may be a superior option for people who don’t care for the ergonomic changes it produces.

The BG-E6 can also be loaded with 6 AA batteries, using an included insert, which could be useful in an emergency or in remote areas.

Ergonomics

The BG-E6 certainly improves the handling of the 5D Mk II when it comes to vertical shooting. It provides a useful handhold, a second shutter button, and controls for exposure and focus point selection. Because your hands are in a less awkward position when shooting vertically, it is more comfortable to compose shots. I also think you can push the shutter speed a bit lower without generating unacceptable camera shake. The grip also balances out the weight of heavy lenses a bit, making it feel like you are carrying around one big balanced block of photographic hardware, rather than a body with a heavy lens torquing it downwards.

Like using a lens hood, using the vertical grip also makes your camera system look a bit more professional, which could be useful or problematic depending on the circumstances. It might draw a bit more positive attention from potential clients and exhibitionistic subjects, but it will also draw attention from meddling security guards and muggers.

Is the grip worth the weight and the money? That really depends on your needs and preferences. I prefer the feel of the camera with the grip, and find that I take more and better vertical pictures while using it. At the same time, it makes the camera awkwardly large for storing in a camera bag, and does add a significant amount of weight to a body that can be quite an anchor when using a lens like the 24-70 f/2.8 or the 70-200 f/4.

Possessions are anchors

Ottawa has never been my favourite city. While I have certainly met some people here who I like a great deal, and while there are certainly interesting kinds of work to be done here, I miss the beauty and familiarity of Vancouver. I also miss the options and excitement associated with larger places like Montreal and Vancouver, as well as the unique intellectual atmosphere of Oxford.

Lately, I have also felt as though it would be a good idea to spend a big chunk of time seeing more of the world than I have so far (though there are ethical issues that surround emissions from voluntary travel).

One thing that interferes with all of these plans is my rented apartment and the few thousand dollars worth of low-cost IKEA furniture and miscellaneous materials it contains. Finding it took quite a lot of effort, as good places in Ottawa seem to get snapped up almost instantly. That and sheer force of momentum make me hesitant to give it up, especially since that would mean finding a place to store my miscellaneous possessions, as well as a mechanism for moving them to the storage location.

It is odd how incapacitating it can be to own more things than you can carry yourself. The situation certainly suggests to me that it is wise to continue renting. My present situation already renders me immobile to an extent I find somewhat regrettable. A mortgage, property taxes, repair obligations, and the additional stuff that would inevitably accompany any kind of home ownership would be even more stifling.

I am not as badly off as I could have been. I am still using the same cheap IKEA furniture I bought straight after moving to Ottawa, even though an increasing proportion of it is held together with gaffer tape and screws I installed myself. Most of the surplus income that has accompanied full time work has likewise gone into paying off student debts, building up a cushion of savings, and buying photo gear. Photo gear may be the least anchor-like kind of possession, for me at least. For one thing, it packs a lot of dollar value into a small amount of space and weight. For another, every time I use it I want to go somewhere scenic or novel or important, so as to be able to put it to better use.

Photographing and re-photographing the same few neighbourhoods is not the more enriching experience.

Renting lenses in Ottawa

Photographic lenses are expensive things, especially professional grade ones. For example, Canon’s 24-70 f/2.8L costs $1600. Their 70-200 f/4L costs $1480, with image stabilization.

And yet, the 24-70 can be rented for a weekend for just $25, and the 70-200 is $30. Renting makes even more sense with esoteric lenses which are useful for certain projects or for producing a novel effect, but which it doesn’t make that much sense to buy. A good example is the 14 f/2.8L, which costs $50 to rent for a weekend but $2790 to buy. There aren’t a lot of people out there who will shoot more than 56 weekends worth of fisheye shots.

Located at 499 Bank Street, Vistek rents all of these lenses, as well as lighting equipment and other photo gear. My experiences with them have been very good, and they charge the same amount for a long weekend lens rental as for an ordinary weekend. They also have stores in Toronto, Mississauga, Calgary, and Edmonton.

I have already tried renting the 10-22 3.5-4.5 for some day and night photos of Montreal. Some other lenses I want to rent are the 50 1.2L, the 24 3.5L tilt-shift, the 100 2.8L macro, the 100-400 4.5-5.6L, and maybe the 14 2.8L.

BOLO 2010 photos

My photos from yesterday’s blogging event are on Picasa:

I think I managed to get a shot of everyone who read, with a few of the crowd thrown in. Some more photos are in a Facebook album. I also have photos from last year’s event.

My thanks go out to David Scrimshaw, who had the cleverness and boldness to point a couple of the ceiling-mounted house lights at the microphone, greatly facilitating the photography of all present. Indeed, there were very few annoying flashes.

If anybody wants full resolution files, they can contact me. Keep in mind, the original files are about 10 megabytes a piece, at 5616 x 3744 pixels. Also, my internet connection is in terrible shape. Getting these on Picasa took hours, and many false starts.

They were pretty much all shot between 6,400 ISO and 25,600 ISO. I was expecting the venue to be a bit brighter, so I brought my 70-200 f/4 lens, whereas my 50mm f/1.8 might have been a better choice.

Shots left on the 5D

The 5D Mark II is a great camera, and I have really enjoyed using it so far. The low-light capabilities are excellent. Even shots taken at 6400 ISO are not excessively noisy, and shots taken at 800 ISO look essentially perfect. That is useful for shooting at smaller apertures in situations without all that much light.

One very minor flaw, which is nonetheless annoying, is that the indicator for the number of shots left before your memory card is full tops out at 999. Even at full resolution, my 8GB compact flash card can store well over 1,000. People with 16GB or 32GB cards must be even more annoyed. You can argue that you only need to start worrying about how many shots you have left once that number falls between 1,000, but it still strikes me as bad design. For instance, if you were on a multi-month expedition somewhere far from computers, it would be useful to know how much space you have left each day.

If they are hell-bent on keeping the display to three characters, I would recommend expressing it as a percentage. Seeing ‘80%’ or ‘60%’ is a lot more useful than having ‘999’ flashing at you all the time.

Mark III designers, are you listening? If so, I would be very happy to serve as a tester for any prototypes…

All my cameras

For the sake of documentation and discussion, here is a list of all the cameras I have ever owned:

Lime green McDonald’s camera

  • Obtained as part of a McDonald’s Happy Meal, used to take photos in Czechoslovakia as a child
  • Used 110 cartridge film

Minolta Freedom AF Big Finder point-and-shoot (P&S) film camera

  • Used 35mm film, like all subsequent film cameras to date
  • Christmas gift used for years, including to take photos during the first and second LIFEboat Flotillas
  • Stolen and replaced by insurance company

Used Pentax ME Super single lens reflex (SLR) film camera

  • Acquired in 11th grade, first ‘artistic’ camera, purchased used from North Vancouver photo store
  • 50mm lens owned, telephoto and wide angle lenses borrowed
  • Used in England
  • Mostly used with black and white negative films: Ilford Delta 400 and Kodak T-Max 100 and 400
  • Eventually sold back to the shop where it was purchased

Canon Rebel G entry-level film SLR

  • Purchased in search of better metering and reliability than the MX Super provided
  • Established me as a probable Canon user for life, though I didn’t realize the significance at the time
  • Purchased with Canon 50mm f/1.8 lens, rather than kit lens
  • Subsequently purchased Canon 28-105mm f/3.5-4.5 II USM, while living in Montreal
  • Used in Italy and the Czech Republic in summer 2004

Canon Elan 7N semi-professional film SLR

  • Purchased toward the end of undergrad
  • Used in Malta, Ireland, Turkey, and the United Kingdom
  • Not really the best use of money. Another lens would have been better.

Canon A510 P&S digital camera

  • Purchased at Staples shortly before going to Oxford, primary camera used for documenting Oxford years
  • Camera used for most of my photo.net images
  • Used for in Estonia, Finland, Malta, Scotland, Ireland, Turkey, France, Wales, and Morocco
  • Sent to Canon for repair when a large blob of dust and/or mold appeared on the sensor

Canon A570 IS P&S digital camera

Canon Rebel XS entry-level digital SLR

  • Came with 18-55mm f/3.5-5.6 IS kit lens, which was eventually returned along with the body to the manufacturer
  • Later purchased replacement for broken Canon 50mm f/1.8 as well as Canon 70-200mm f/4L IS USM and Canon 24-70mm f/2.8L USM.
  • Also used with rented Canon EF-S 10-22mm f/3.5-4.5 USM (See: night and day)
  • Electrical problems twice, flash problem once, eventually returned to Canon as defective

Canon 5D Mark II semi-professional digital SLR

  • Replacement for dead Rebel XS

Each camera was of considerable use, and taught me something about photography. The general pattern has been buying an entry-level version of some sort of camera and eventually replacing it with one or more superior successors. In each case, the transition to a new class of camera has been more important than subsequent upgrading within the class – that goes for going from P&S to SLR, going from film to digital, and going from digital P&S to digital SLR.

  • Best value for money: the A570 IS
  • The camera I learned the most from: either the MX Super or the Rebel XS
  • Most fun to use: all the SLRs
  • Biggest savings anchor: the 5D Mark II, which cost as much as all the previous cameras put together

At some point, I would like to try either a 35mm or a digital rangefinder, as well as medium format film.

Try f/8

The relative aperture of a photographic lens is really important, when it comes to the quality of the photos that arise in most situations.

If you have the sort of camera where you can specify an aperture – as is possible on all film SLR camera, all digital SLR cameras, and many point and shoot digital cameras – try taking some photos using f/8. Almost regardless of the lens being used, this will often generate rather lovely images.

If the shutter speed your camera picks when you set the aperture to f/8 is slower than one over the focal length of your lens, do something to keep the camera still. That is to say, if you are using a 50mm lens with a shutter speed of less than 1/50th of a second, you are likely to end up with a blurred shot. To avoid that, you can brace against something solid if you are just a bit below. If you are looking at really long exposures – say, more than half a second – either put your camera on a tripod or rest it on something solid and use a countdown timer.

f/8 is usually beautiful. It excludes stray photons that are problematic, and it doesn’t usually cause diffraction. Please give it a try.

Flash grenades for photographic lighting

I have frequently pointed out the pointlessness of people using the built-in flashes on their cameras to try to light cathedrals, scenic vistas, stadiums, and the like. It should be self-evidently obvious that these small, AA-powered flashes are incapable of such a task. That said, it does seem plausible that many (even most) photographers simply use their cameras in a fully automatic mode, substituting its limited judgment for their own.

Despite all that, I had a curious thought the other night when looking across at Parliament from Champlain Hill. I know that the military and law enforcement agencies use flash grenades to surprise and disorient people inside buildings. I wonder whether it could be possible to use one or more such devices to produce photographic illumination of giant or distant objects. As long as you used a shutter speed longer than the time it takes them to flash, it should be possible to make use of their light, and triggering them could be as simple as using the radio triggers commonly employed with conventional flashes.

I wonder whether anyone has ever tried such a thing…

Montreal spring, by night

Despite being right at the cusp of spring, the nights I recently spent in Montreal were decidedly mild and enjoyable. They made it more than worthwhile to lug around a tripod.

In addition to the sometimes intriguing distortion produced by very wide angle lenses, one useful property is how their short focal lengths allow for relatively long handheld exposures, without too much danger of camera shake. It is certainly novel to be able to shoot at 1/20″ with a lens lacking in image stabilization capabilities.

I think I was the oldest person at this party, by the space of several years. Nonetheless, it was a colourful and entertaining event and a nice counterpoint to the calmer parts of the weekend.

Climbing Mont Royal at night is certainly one of the nicest and most scenic things to do in Montreal. Personally, I think the city is best viewed from above at night, though it can also be quite pleasant around sunset.

I have fond memories of going up in the midst of an intense but very warm thunderstorm with my friend Viktoria, back when I was participating in the Summer Language Bursary program.

I like the interplay of colours here, particularly the orange and green on the stairs and the blaring purple from inside the building.

While Montreal does have a substantial urban core, it certainly cannot rival Toronto for sheer bulk or Vancouver for startling growth. Indeed, whereas Vancouver felt substantially denser when I visited in December than when I was there a few years before, Montreal basically seems like the same place now as it was in 2003.

Rue St. Denis may be a bit touristy, but it contains a substantial variety of pubs and restaurants, as well as some interesting murals and graffiti.

Fondue is actually a very nice dinner option, when you want to have an extended conversation. The need to individually cook each item to be eaten extends the meal in a rather pleasing and natural way.

I have always rather liked the standard architecture of Montreal lowrise houses: with a balcony at the second level and a staircase rising up to it either directly or in a curve.

It is around this monument in Parc Mont Royal that the famous ‘Tam Tam Jams’ occur, along with many other informal social activities. While I was taking these night photos, there was unusual shouting and drumming emerging from somewhere within the darkened trees uphill, along with the noticeable scent of wood smoke.

The distortion from a wide-angle lens does seem to have the commendable property of being able to make a vertical monument look like the heavy foot of some elephant or dinosaur.

The vertical lines here are lens flares, induced by the streetlights that run in front of the monument (and which make it so nicely lit for long exposures, from that direction).

Throughout the Easter weekend, these parks were full of people picnicking, playing sports, and generally enjoying themselves. At night, the area is rather more gloomy and desolate. The few people who you do encounter – often as they skirt along in the shadows – sometimes make you glad for being a relatively large and tall man, with a substantial aluminum tripod at hand.

These trees have a rather menacing look that matches the atmosphere of the area, at least on some nights.

Montreal spring, by day

Montreal has always been a city which I have appreciated. As an undergraduate, I was lucky enough to spend most of a summer there, participating in the Summer Language Bursary Program. The city is a layered and culturally engaging one. I was happy to visit my brother there for the Easter weekend.

The Montreal metro probably has the most character of any in Canada – largely owing to how the design of each station differs substantially. Vancouver probably has the nicest views from overhead track, but Montreal almost certainly has the most to offer underground.

While they are far from flattering, portraits taken on wide-angle zoom lenses can have an interesting quality. This one of my brother was taken in a diner where we were having a late breakfast.

One definite advantage of wide-angle lenses is that they allow you to incorporate people into images in such a way that they assume themselves to be quite outside the frame.

As with Paris, Montreal is notable for having excellent graffiti in places – though it is regrettable that vandals with no skill frequently decide to emblazon their insignificant aliases on the works of far better artists.

Heading up Rue Mont Royal, I encountered a very friendly bus driver who was eating her lunch. She encouraged me to explore the bus storage and maintenance depot around us, despite many ominous signs warning of grim consequences for outsiders who did do.

A firefighter I encountered was equally welcoming. Their approach contrasted substantially with a security guard at the Journal de Montreal building, at the foot of the road, who gruffly informed me that I had no right to be in their parking lot. Their building was boring, anyhow.

The Plateau area, where my brother is living presently, has a wide variety of attractive and interesting buildings. It’s remarkable how they serve as variations on a theme, yet still express such architectural scope.

Even with a rented Canon 10-22mm f/3.5-4.5 lens, I could not resist making some use of the superb Canon 70-200mm f/4 L telephoto zoom. Of all the lenses I have owned or used, it may well have the best optical properties.

At the head of Rue Mont Royal, up against the mountain of the same name, there is a park with a stately monument. It is often a nexus for social gatherings, such as the ‘Tam Tam Jams’ which often permeate Sunday evenings with the sound of drum music, for many blocks around.

The same statue, seen from a wider perspective, gives some sense of how it looks in aggregate.

Among the many other spiral staircases of Montreal, this particular one led down from the balcony of a flat inhabited by a friend of my brother to a yard that has become a favourite hangout for cats. We saw at least a dozen lounging there at once, that afternoon.

This insignia adorns a fence somewhere in the slightly ambiguous zone between the park with the monument and the beginning of the McGill University campus.

While not the most attractive of photos, this one amuses me on account of how the car and building blend in a shape like a large clown shoe.

This angelic statue sits beside the largest contained green space at McGill, near the entrance to one of the libraries.

Fountain statue, McGill University

One of three bearers of a fountain within a fountain is shown here.

Here again is the park with the monument. During the Easter weekend, it was an incredibly active place, well populated with many locals taking advantage of the time off and very fine spring weather.

One odd feature of being a semi-regular visitor to Montreal is that I become familiar with bits of graffiti, only to see them subsequently altered, erased, or overwritten.

Tomorrow, I will put up some photos of Montreal by night.