Apple’s new iPod Shuffle

While I approved of the first major remake of Apple iPod Shuffle – replacing the white stick with a clip-on aluminum square – the latest update seems like a big step backwards. The new unit is a featureless piece of aluminum with no controls. Those are provided on the proprietary headphones. That means it cannot be used with conventional headphones, which is lamentable, since Apple’s are of such poor quality. It also means the new players cannot be plugged into a stereo using a miniplug cable: a feature that Emily and I found quite valuable over the summer.

It seems that minimalism and a tendency towards proprietary engineering can both be taken too far.

Canadian content requirements for the internet?

Apparently, the Canadian Radio-television and Telecommunications Commission (CRTC) is considering Canadian content requirements for the internet. While I do support the existence of public broadcasters, I have never felt the same way about Canadian content rules for television or the radio. To me, they seem parochial and unnecessary; why does it matter whether people want to watch shows or listen to music that originated elsewhere?

Of course, the internet idea is even more dubious. Unlike radio and television, where you get to choose between channels but have no input into what each one is putting out, the internet lets you choose each film or song individually. As such, enforcing Canadian content requirements is both more intrusive and less practically feasible.

I remember when there were high hopes that the internet would be free from this sort of petty governmental manipulation. Unfortunately, with all the censorship, dubious monitoring, and other governmental shenanigans happening now, it isn’t surprising that yet another government agency wants to assert its regulatory influence over what happens online.

Hearings begin on Tuesday, with the aim of reviewing the current policy of not regulating content on cell phones and the internet.

Sorting digital music

Fence in Vermont

When it comes to the organization of music, I am probably one of the most obsessive people out there. I would actually rather delete a song I cannot properly categorize than retain it as ‘Track 1’ by ‘Unknown Artist.’ Also, once I start categorizing something such as music or photos, I cannot rest easy until the task is done. It’s a tendency I need to be aware of and careful about. The decision to tag all my iPhoto images for which friends are in them, for example, produced about three days worth of intense work.

Of course, iTunes is the ultimate enabler for music organization obsessives. It puts everything into a big database: song ratings (all my songs are rated), artists, titles, play counts, last played dates, etc. It lets you set up smart playlists that, for example, consist only of songs rated four or five stars and haven’t been played in the last two weeks. You can also tag your songs as Canadian, too obscene to be included in a random party playlist, or whatever other designations are useful to you. I have most of my good music sorted into mood-based categories, including angry, brazen, demure, dramatic, energetic, rebellious, sombre, and upbeat.

One annoying element of the age of digital music is the enduring character of mix CDs consisting of CD-style music tracks, rather than data files. Almost invariably, this means that someone somewhere converted the uncompressed music on a CD into an MP3, AAC, or WMA file. Then, someone took that compressed file and stretched it back into CD format. If you then try to re-compressed the previously compressed and de-compressed file, you encounter a notable loss of quality. It would be far better if people made mix CDs consisting of data files (those in a lossless format would be especially appreciated, and still significantly smaller than uncompressed music files).

One final annoyance I will mention is the fact that my iPod is no longer large enough to store my music collection. Since I am now about 500 megabytes beyond its capacity, I need to manually ‘uncheck’ songs so that it can synchronize properly. Beyond being a pain, this somewhat undermines the iPod concept, which is really to have all your music available at a touch. My iPod is an old 4th generation 20GB model. It was replaced four times under an extended warranty that has since expired, and it probably doesn’t have enormously more time left in the world of working gear. When it bites the bullet, I will buy something large enough to store many years worth of future musical acquisitions.

Bluegrass at Raw Sugar

Residents of Centretown should consider attending the beer and bluegrass evening taking place tonight at Raw Sugar (692 Somerset W). The event will run between 8:00pm and 10:00pm.

While I cannot recall the name of the band that will be performing, I am told their last session was enjoyable and well received.

[Update] The lead performer is Miles Howe, and he will be bringing along a number of other singers and musicians.

Private Copying Tariff increase

Canada has increased its Private Copying Tariff on writable CDs from 21 cents to 29 cents. Supposedly, the purpose of the tariff is to pay artists back for unauthorized copying. In total, the levy generates about $30 million per year. 66% of the revenues go to eligible authors and publishers, 18.9% to eligible performers, and 15.1% to record companies. That being said, the tariff does not give consumers a clear right to make copies of their music. It certainly will not do so if the new copyright bill tabled by the Conservative Party becomes law.

It is clearly unfair to assume that all writable CDs will be used to copy commercial music. It is also clearly odd to levy the tax on CDs but not DVDs, and to not make clear what rights are conveyed by the existence of the tariff.

Hopefully, we will see this system rendered more rational through future government policies and court decisions. Whatever your feelings on the ethics of copyright, the current arrangement is an ugly muddle.

The durability of Etymotic ER6i headphones

Recently, my second pair of Etymotic ER6i headphones failed. Once again, it seems that a wire broke in the connector, causing sound to be cut off in one ear. The first time it happened, the headphones were still under their one-year warranty and Etymotic cheerfully replaced them. This time, it is a question of buying a third set or switching to another style or brand that seems likely to be more durable.

The headphones are excellent in terms of sound quality, but somewhat lacking in terms of toughness. In fairness, they only weigh a couple of grams and I did use them virtually every day, including sometimes while cycling. There were a fair number of cases when the wire got caught on something and yanked rather violently. The headphones are a pricy US$149.00 if you buy them directly from Etymotic, but a far more reasonable $80.48 on Amazon.com (of course, buying them from Amazon requires paying customs duties or the song-and-dance of having them sent to a US address and then shipped to Canada). $7 or so per month actually strikes me as a tolerable price for excellent headphones, though I rather dislike the notion of treating them like a disposable commodity. I would be willing to spend more money on headphones that are more likely to last, or those with a three-year rather than a one-year warranty.

The competition in terms of high quality earbuds seems to be the Shure E2C or SE110s. Does anyone have experience with those, or recommendations for other brands to consider?

[Update: 27 December 2008] I am now on to my third pair of ER6i headphones. In the end, they sound great, but cannot be expected to be durable. My advice to potential buyers is this: expect them to last for between one or two years. If that length of high quality, highly portable sound is worth their price to you, go ahead and buy them.

[Update: 23 June 2010] That third pair of ERis suffered the same fate as those before – a wire failed, causing them to cut out in one ear. Despite having had them since December 2008, I called Etymotic and they told me to send them in. Much to my pleasure, Etymotic then replaced them, despite the warranty being over. As such, I now have my fourth pair of ER6is.

WestFest 2008 II

Emily Horn at WestFest 2008

Today’s festival occurred amidst alternating periods of harsh sun and explosive thunderstorm. Several times, the artists had to clear the stage due to the danger of bolts being drawn their way. The audience scattered and artists, staff, VIPs, and volunteers huddled in whichever tents were not collapsing. Thankfully, everything was clear and beautiful for Andrea‘s set.

Today made for a nice winding-down after yesterday’s powerhouse performances, and I got to meet a few interesting people too. If only the BluesFest volunteering system wasn’t so inflexible and demanding, I would definitely volunteer my services there as well.

WestFest 2008 I

WestFest 2008 main stage

For me, WestFest has been divided into two rather different elements: the volunteering portion and the event portion.

Volunteering

For the first time in rather a while, this let me feel like I was making an immediate and concrete difference in an outcome of some importance – that someone else could have done a lot worse at responding to the same conditions.

I should volunteer more.

Event

Tonight’s artists were very talented and I will definitely need to investigate a few. Buffy Sainte-Marie was extremely powerful and impressive, though many of her songs raised difficult questions about the degree to which we can inherit guilt or grievance from our ancestors.

Tomorrow morning, I will be back among the volunteers.

P.S. Supposedly, the plastic cups and bottles being used by this festival are made from corn and biodegradable. I collected several dozen tonight to determine whether I will be able to find a method of biodegrading them.

A bad new copyright bill

Canada’s proposed new copyright act is unacceptably poor, most importantly because of its treatment of Digital Rights Management (DRM). Under the new law, circumventing any such system – no matter why – is against the law. This means that if the company that sold you a song decides to stop letting you access it, you are out of luck. Under the new law, it would be a crime to copy music from a DRM-protected CD that you bought to an iPod that you own, with an associated fine of $20,000.

The law would also mean that organizations like libraries cannot have any confidence in their future ability to use digital materials today and people with disabilities will not be able to use technology to make protected works more accessible. It would make it a crime for me to use VideoLAN player to watch DVDs I bought in Europe, just because people selling DVDs have decided to use monopolistic regional codes to boost profits. Indeed, it would criminalize the distribution of VideoLAN itself.

It must be remembered that the purpose of copyright law is to serve the public good, not copyright holders. We allow copyrights because they create a legal environment in which it is possible to profit from a good idea. As a result, copyright protections help to ensure that people are furnished with new and high quality music, books, etc. By failing to protect the legitimate needs of consumers, this bill fails to enhance the public interest. As such, it deserves to be opposed and defeated.

WestFest

Residents of Ottawa should strongly consider attending WestFest this year. It is a free five day festival happening in Westboro Village between June 11th and 15th. An entire street will be closed off to make room for stages, vendors, and the like. It only takes five minutes to walk there from the Westboro Transitway station.

Performers this year include:

  • 1755 (Acadian group on Thursday)
  • Joel Plaskett (Friday)
  • Buffy Sainte-Marie (Saturday)
  • Holly McNarland (Saturday)
  • Lynn Miles & Sue Foley (Sunday)
  • Andrea Simms Karp (Sunday)

There will also be authors, theatre performers, and artists about.

Emily and I are both volunteering, so you may see us there.