Category: Films and movies

Whether big-studio or independent, celluloid or digital, anything about movies

Camera phones and police brutality

One very considerable advantage of the greater dissemination of video phones is increased ability to effectively document police brutality and other abuses of power. A recent example example involves UCLA police officers gratuitously using tazers on students in a library. While that situation cannot be entirely understood from the YouTube video, it supports testimony given elsewhere that the use of force was excessive and inappropriate. Hopefully, these tazer-happy UCLA police officers will end up in jail. At least one other incident filmed with a camera phone and uploaded to YouTube is being investigated by the FBI. That incident is also discussed in this editorial.

As I have said again and again here: protection of the individual from unreasonable or arbitrary power – in the hands of government and its agents – is a crucial part of the individual security of all citizens in democratic states. In a world where normal activities increasingly take place within sight of CCTV cameras, it’s nice to see that recording technology can also work for the protection of individuals or – at least – improve the odds of things being set to rights after abuse takes place.

Just don’t expect for it to be impossible for people to determine whose camera was used to shoot the video. Apparently, output from digital cameras can be linked to the specific unit that produced it.

Casino Royale

I went into Casino Royale expecting it to be quite good, and it did not disappoint. While I am not going to reveal anything critical to the plot, I can express my appreciation for how this was more of a character driven film than most in the recent Bond franchise. This film is definitely a head and shoulders above any of the mediocre Bond releases since GoldenEye. Most of the big budget explosion scenes were kept to the beginning, allowing for a follow-through more interesting than the massive explosion of the arch enemy’s secret lair.

One strange thing about this film is the anachronisms it introduced into the larger Bond plotline. Rather than a “relic of the Cold War” – as the ‘new’ M called Bond in GoldenEye – he is just starting out, in the post-September 11th world. Now, she is the relic – overwriting her much more conservative predecessor in earlier films. Odd. There is no way this film does not critically damage the George Lazenby, On Her Majesty’s Secret Service portion of the Bond history. Eva Green may be gorgeous and an unusually good actress for a ‘Bond girl,’ but she is no Dianna Rigg.

Without going too much into analysis – I have other things to think about – it can be said that this is a worthy addition to the series, and well worth going to see in theatres if you are the sort to enjoy spy films in general.

PS. Just when you thought it might be over, new complexities have arisen in the publication of the fish paper.

Congratulations Mica

My brother Mica has now won three Google Idol music video contests in a row: two rock contests with his Hives and Arctic Monkeys videos, and one pop contest with his Jock Rock video.

He’s obviously a talented guy. You can congratulate him, or discuss his videos, over at his website. I hope he will have time to assemble an original short film soon.

Note: Google Idol had to be rebranded as Bopsta.com, in the wake of a trademark dispute.

More on Mica’s videos

Mica’s ‘Jock Rock’ video came first in the sixth Google Idol pop music video competition. Previously, his video for ‘Walk Idiot Walk’ won their first rock video competition.

Right now, his video for ‘I Bet That You Look Good on the Dance Floor’ is in the grand final of the 4th rock video competition. Please take a minute and go vote. The competition ends on the 17th and, when last I heard, he was trailing behind the other competitor.

Google Idol seems to have changed their name to ‘bopsta’ because of the rather problematic fact that they didn’t have permission to use ‘Google’ or ‘Idol’ in their name. It’s true that people did often incorrectly assume that they actually had something to do with Google, other than using their video service for free hosting.

Relevant links:

The History Boys

The Grog Shop, in Jericho

North Americans trying to understand Oxford, as a British cultural and social institution, should go see The History Boys, while it is still playing at the Phoenix. If that sounds like an assignment, take heart: it is really very funny, even if you cannot appreciate all the regional humour. It will certainly leave you looking at your own position a bit differently, though I can see at least three general kinds of lessons you might take from it. I am not going to list them.

Comparisons I have heard made to Dead Poets Society are both apt and entirely wrong. That film is a reflection of two cultures: American east coast boarding schools and Hollywood filmmaking. Substitute both English elite schools and British comedy, and you might be talking about similar vehicles for the delivery of very different references.

Watching this film here was much like watching The Rocky Horror Picture Show in full costume, singing along and throwing rice. The film may not reflect reality directly, but it throws a kind of fun slant on it that allows you to position yourself within the public statements being made. The very last scene is also quite clever.

One quick comment, in closing: in North America, you would never see a film with a good six or seven minutes of all-French dialogue. And if you did, the proportion of the audience laughing at the jokes would probably drop off sharply. While my French has never been rustier (a long decline, dating back to elementary school with an upward blip during my time in Quebec), I could grasp more than enough to be laughing along.

Mica in two new Google Idol contests

My brother Mica has two new entries in the Google Idol video competitions. Partly thanks to strong support from readers of this blog, his video for “Walk Idiot Walk” won a previous competition. This is also documented on Wikipedia.

His two videos that will be in the running are:

  1. “The Jock Rock” in the semi-final of the Pop competition
  2. “I Bet You Look Good on the Dance Floor” seemingly yet to be listed

I will post updates as the status of the videos change. See also Mica’s website.

New voting process

The voting works quite differently from last time. Instead of allowing one vote per IP address per day, it allows one vote per user account per round. They are tracking IP addresses used for account creation, so trying to set up fifty accounts from the same computer will land you in trouble. (Of course, if you set up fifty and used them to vote for the video that you want to lose the round, it might be a highly effective strategy.)

One word of concern: it doesn’t say anywhere on the site that they will not be selling the email addresses used in the signup to every spammer from Nigeria to Philadelphia. As such, I recommend using your most spam-ridden and least important email account to sign up. Last time, they could at least count on people seeing the banner ads each day as they came back to vote. In order to replace that income stream, you have to at least suspect that they are harvesting emails for profit. You cannot just give a fake email address, like when leaving comments on this site, because they will send you an activation code that you need in order to vote.

Snazzy open source video player

Available for PC and Mac, the Democracy video player is free and open source software that can play and save a wide variety of video formats. You can, for instance, save Google Video and YouTube files. That includes all of my brother Mica’s videos. The interface is also a lot nicer than mucking around with web pages: especially since you can download batches of files at once and watch them when they finish.

More information is on Wikipedia.

Three Kings

Tonight, I watched Kai’s copy of the film Three Kings. I remember the advertisements portraying it as some sort of comedy; at best, it is a pretty dark satire. The point it makes indirectly and well is that the on-the-ground realities of warfare can be starkly different from the press conference versions generally presented to us.

The odd thing about the film is the way in which it plays with your sympathies: there is certainly some for the reservists (part time baggage handlers, those who never finished high school, etc). There is plenty for the general populace of Iraq. Saddam and the first President Bush are only ever in the background, each presenting as truth things that have nothing to do with the immediate reality of the film: Saddam has his smiling portraits everywhere, Bush provided the printed sheets or orders the American soldiers wave at Iraqi troops and civilians from time to time.

While the film is, in many ways, unrealistic it manages to convey a truthful message about human greed and brutality. It becomes harder to hold liberal values when the reality of how imperfectly that are applied in many circumstances is revealed.

An Inconvenient Truth

All told, Al Gore’s film An Inconvenient Truth was quite impressive. The combination of factual information and moral or political argumentation was generally well done, though some of the personal asides about Gore’s life were somewhat tangential to the point being made. This is a film I would recommend to almost anyone: regardless of your level of knowledge or existing stance on climate change. It certainly helped to change my thinking on some of the issues.

Gore’s basic argument is really the only sane position on climate change right now: We know for sure that it is taking place. We know that human beings are causing it. Finally, we are not at all certain what the consequences will be, or even their magnitude, but there is reason to be concerned, on the basis both of evidence in the world as it is now and on the basis of reasonable projections. His massive chart showing world temperatures and CO2 concentrations over the past 650,000 years is an especially convincing element of the film. While natural cycles are certainly evident, we are already outside all previous ranges for CO2 and will go far, far beyond in the next fifty years if nothing is changed.

I am increasingly convinced that the potential consequences of global warming justify efforts to stabilize greenhouse gas levels in the atmosphere, ideally at a point lower than their present concentration. While doing so will certainly have costs, it is also likely to have considerable benefits. Products of greater energy efficiency and alternative energy sources could include reduced dependence on places like Venezuela, Russia, and Saudi Arabia. Likewise, improved urban design has the prospect of making our cities rather better places to live, undoing some of the enormous harm done to human population centres by the ready availability of automobiles.

By the end of the film, I had the unusual feeling that it just might be possible to do something effective about climate change in the decades immediately ahead. The barriers are arguably mostly in the form of entrenched interests, as is so often the case when big changes in policy are needed. Hopefully, at the very least, the Canadian government can be pressured into living up to the modest promises we made in Kyoto.

[Update: 3 October 2006] While I am unlikely to trek all the way to London for a lecture, those already there might find parts of this series interesting. My thanks to Ben for passing the information along.